David Johnson

(10 May 1827 - 30 January 1908)

Johnson was born in New York City, New York. He studied for two years at the antique school of the National Academy of Design and also studied briefly with the Hudson River artist Jasper Francis Cropsey. Along with John Frederick Kensett and John William Casilear; he was best known for the development of Luminism.

On the back of a painting made at Haines Falls, Kauterskill Clove, in 1849, Johnson wrote "My first study from nature. Made in company with J.F. Kensett, and J.W. Casilear." By 1850, Johnson was exhibiting regularly at the National Academy of Design in New York, where he became an associate in 1859; in 1861 he was elected a full Academician.

Johnson's signature works are usually small in format, tightly painted, delicately handled and richly colored. Based on copious preliminary drawings and studies of specific trees in their natural environment, his paintings are accurate and inviting representations of Northeastern scenery and 'exquisite examples of the style that is now called Luminism.'

Johnson's greatest success was achieved during the mid-1870s, when he exhibited paintings of such popular landscape locales as the Catskills, Lake George and the White Mountains, as well as pastoral scenes of central New York state, an area which he was the only important artist of the era to frequent. He exhibited extensively in major American art centers, including Chicago, Boston and Philadelphia, and at the Paris Salon of 1877. Thenceforward his work changed to reflect the influence of the French Barbizon school, a stylistic transition that met with harsh critical reception from his colleagues, but which paralleled the dilemma faced by Hudson River school painters seeking to stay relevant as aesthetic tastes changed.

He won Medals at Centennial Exposition, Philadelphis, 1876, and Massachusetts Charitable Mechanics Association, Boston, 1879.

He died in Walden, New York, in 1908.



David Johnson Self-Portrait in Colonial Dress



At the commencement of his career he received a few lessons from J. F. Cropsey, but has been a close student of Nature, looking upon her as his teacher and master. His professional life was spent in New York and he never went abroad. In 1859, Mr. Johnson was one of the founders of the Artists' Fund Society. He was elected an Associate of the National Academy in 1860, and Academician in 1862. To the Centennial Exhibition of 1876, he sent "Scenery on the Housatonic" (belonging to Mrs. J. Bollard), "Old Man of the Mountain" (belonging to Richard Taft), and "A Brook Study, Orange County, N. Y.," receiving one of the first awards. His Housatonic River," was exhibited at the Paris Salon in 1877, (belongs to L. A. Lanthier, N. Y.)

Artists of the Nineteenth Century and their Works, Biographical Sketches, By Clara Erskine Clement and Laurence Hutton. 1879.

Works include:
1867 Echo Lake
1869 On the Wallkill River
1870 New Berlin, N. Y
1871 View at Barrytown, N. Y.
1874 View at Dresden, Lake George (belonging to Cortland Palmer)
1876 Near Noroton, Ct.
1877 Greenwood Lake
1877 Housatonic River (belongs to L. A. Lanthier, N. Y.)
1878 Morning at the Harbor Islands, Lake George
Mount Lafayette
October on the Erie Railway
Spring at Mount Vernon
Scenery on the Housatonic River (belonging to Mrs. J. Bollard)
A Brook Study, Orange County, N. Y.
Old Man of the Mountain (belonging to Richard Taft)
Lake George (belongs to Mrs. William H. King, N. Y.)
Hudson River (Mrs. William H. Gerrard)
Mount Lafayette (John J. Cisco)
October on the Erie Railway (E. A. Munson, Utica)
Spring at Mount Vernon (Bryan Smith of Brooklyn)



View painter's art: David Johnson (1827-1908)

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