(Sedbergh, Yorkshire, 20 May 1832 - 3 January 1892, Conway, North Wales)
In 1856, some figure subjects were purchased by John Miller of Liverpool, and attracted the attention of Ford Madox Brown, who invited him to exhibit at his house in London. He joined the Letherbrow Club at Manchester in 1857, and between that time and the end of 1859, contributed twelve papers and many delightful pen-and-ink drawings to the manuscript volumes of the club. One of these volumes being shown to Routledge, the publisher, led to Watson being asked to make a series of drawings for illustrations to Bunyan's Pilgrim's Progress.
In 1860, he settled in London, and the book was brought out at the end of the same year and was a great success. It was followed by illustrations to Robinson Crusoe, Arabian Nights, and periodicals.
Watson was elected an associate of the Society of Painters in Watercolours in 1864, and a member in 1869.
In 1865, he removed to Milford in Surrey, near his brother-in-law, Birket Foster, for whose house he designed the furniture and decorations. His picture ‘The Poisoned Cup’ was painted in 1866, and gained the medal at the Vienna Exhibition in 1873.
In 1867, his painting of ‘The Parting’ gained the Heywood prize at Manchester. It is engraved in the Art Journal,, 1876. An admirable etching, his first attempt in this art, was published in the Portfolio, 1873.
In April 1871, he got up an amateur performance of ‘Twelfth Night’ at Newcastle-upon-Tyne, in aid of a fund for the sufferers by the war in France. For this he designed and cut out fifty dresses, and himself acted the part of the clown. In the following year he made sixty-five watercolour drawings of dresses for Charles Calvert's production of ‘Henry V’ at the Prince's Theatre, Manchester.
In 1873, he painted ‘A Stolen Marriage,’ that afterwards gained the prize of 100l. at the Westminster Aquarium. He was elected a member of the Royal Watercolour Society of Belgium in 1876, and sent three pictures to their exhibition in 1877. In the latter year, 1877, 158 of his works was shown at the Brasenose Club, Manchester, and he was entertained by the club at a complimentary dinner.
Between 1859 and 1892, he contributed 372 works to London exhibitions. Henry Boddington of Manchester possesses a large collection of his works.
His last years were spent at Conway, North Wales, where he died, and was buried in Conway cemetery. He married, at Giggleswick, on 22 Nov. 1858, his cousin, Jane Dawson Edmondson, daughter of Christopher Dawson, solicitor, of Settle, Yorkshire, and left two daughters and one son, the Impressionist painter, Dawson Dawson-Watson (1864-1939).
[Catalogue of Exhibition at the Brasenose Club, Manchester, 1877, with portrait; Memoir by W. E. A. Axon in Papers of the Manchester Literary Club, 1892; Magazine of Art, 1892 (portrait); Graves's Dictionary of Artists; British Museum Catalogue; Letherbrow Club Papers (manuscript), vols. iv–vi., kindly lent by Mr. Thomas Letherbrow; Darbyshire's Architect's Experiences, 1897; Dictionary of National Biography, 1885-1900, Volume 60., by Charles William Sutton; English Illustration: the Sixties, Gleeson White, 1897).]
View painter's work: JOHN DAWSON-WATSON (1832–1892)