(July 26, 1796 - December 23, 1872)
His early work included engravings drawn from nature of sites along the route of the Erie Canal in New York State. Several of his renderings were published in one of the first printed books to use lithography, Cadwallader D. Colden's Memoir, Prepared at the Request of a Committee of the Common Council of the City of New York, and Presented to the Mayor of the City, at the Celebration of the Completion of the New York Canals, published in 1825, with early images of the City of Buffalo.
Following a brief career as a lawyer, Catlin produced two major collections of paintings of American Indians and published a series of books chronicling his travels among the native peoples of North, Central and South America. Spurred by relics brought back by the famous Lewis and Clark expedition of 1804-1805 owned by his friend, Charles Willson Peale, and claiming his interest in America’s 'vanishing race', sparked by a visiting American Indian delegation in Philadelphia, he set out to record the appearance and customs of America’s native peoples.
Catlin began his journey in 1830 when he accompanied General William Clark on a diplomatic mission up the Mississippi River into Native American territory. St. Louis became Catlin’s base of operations for five trips he took between 1830 and 1836, eventually visiting fifty tribes. Two years later he ascended the Missouri River over 3000 km to Fort Union Trading Post, near what is now the North Dakota/Montana border, where he spent several weeks among indigenous people who were still relatively untouched by European civilization. He visited eighteen tribes, including the Pawnee, Omaha, and Ponca in the south and the Mandan, Hidatsa, Cheyenne, Crow, Assiniboine, and Blackfeet to the north. There, at the edge of the frontier, he produced the most vivid and penetrating portraits of his career. During later trips along the Arkansas, Red and Mississippi rivers, as well as visits to Florida and the Great Lakes, he produced more than 500 paintings and gathered a substantial collection of artifacts.
In 1872, Catlin traveled to Washington, D.C. at the invitation of Joseph Henry, the first secretary of the Smithsonian. Until his death later that year in Jersey City, New Jersey, Catlin worked in a studio in the Smithsonian “Castle.” In 1879 Harrison’s widow donated the original Indian Gallery, more than 500 works, along with related artifacts, to the Smithsonian.
The nearly complete surviving set of Catlin’s first Indian Gallery, painted in the 1830s, is now part of the Smithsonian American Art Museum's collection. The associated Catlin artifacts are in the collections of the Department of Anthropology, National Museum of Natural History, Smithsonian. Some 700 sketches are held by the American Museum of Natural History, New York City. Some artifacts from Catlin are in the University of Pennsylvania Museum of Archaeology and Anthropology collections.
George Catlin met Clara Bartlett Gregory in 1828 in her hometown of Albany, New York. After their marriage, she accompanied him on one of his journeys west. They eventually had four children. Clara and his youngest son died while visiting Paris in 1845.
Many historians and descendants believe George Catlin had two families; his acknowledged family on the east coast of the United States, but also a family farther west, started with a Native American woman.en.wikipedia.org